Using Epanorthosis in Rhetoric

Utilizing Epanorthosis in Rhetoric A hyperbole wherein a speaker rectifies or remarks on something the individual in question has quite recently said. A withdrawal (or pseudo-withdrawal) is a sort of epanorthosis. Descriptive word: epanorthotic.Epanorthosis is otherwise called correctio or self-adjustment. The historical underpinnings is from the Greek, sorting out once more. Models and Observations Possibly there is a monster. . . . What I mean is . . . possibly its solitary us. (Simon in Lord of the Flies by William Golding, 1954)​With a hurl of his chest, Croker rose and came walkingor, rather, limpingtoward him. (Tom Wolfe, A Man in Full, 1998)​[A] great heart, Kate, is the sun and the moon; or, rather, the sun, and not the moon; for it sparkles splendid and never shows signs of change, yet keeps his course really. (Ruler Henry V in Act V, scene two of Henry V by William Shakespeare, 1600)​I dont like most of what I do. I shouldnt state I dont like it, however Im not happy with nearly everything that I do. (Paul Simon)​You dont believe were being . . . I dont need to state shabby, in light of the fact that that is not the correct word, however somewhat untrustworthy, possibly? (Owen Wilson as John Beckwith, The Wedding Crashers, 2005)​Epanorthosis, or Correction, is a figure by which we withdraw or review what we have spoken, for subbing so mething more grounded or progressively reasonable in its place... The utilization of this figure lies in the unforeseen interference it provides for the current of our talk, by turning the stream so to speak back upon itself, and afterward returning it upon the examiner with intensified power and exactness. The idea of this figure directs its elocution; it is to some degree likened to the bracket. What we right ought to be so articulated as to appear the quick radiation existing apart from everything else; for which reason it doesn't just require a partition from the remainder of the sentence, by an adjustment of the voice into an ease off volume, yet an unexpected discontinuance of the part promptly going before. (John Walker, A Rhetorical Grammar, 1822)​ He has recently been grinding away telling once more, as they call it, a most unwarranted bit of fiendishness, and has caused a coolness in between me and (not a companion precisely, however) a personal colleague. (Charles Lamb, letter to Samuel Taylor Coleridge, Jan. 10, 1820)​Thence have I followed it(Or it hath drawn me, rather) however tis gone. (Ferdinand in The Tempest by William Shakespeare)​In epanorthosis, or fixing, one reconsiders what one has said and qualifies it or even takes it back, as in Augustines great Give me purity and continencebut not yet (Confessions 8.7). Epanorthosis is especially uncovering of the character of the speaker, for this situation, of a dishonest soul separated against itself and offered more to self-duplicity than to misdirection of others. (P. Christopher Smith, The Hermeneutics of Original Argument: Demonstration, Dialectic, Rhetoric. Northwestern Univ. Press, 1998)​They reserve a privilege to more solace than they at pres ent appreciate; and more solace may be managed them, without infringing on the joys of the rich: not currently holding on to enquire whether the rich reserve any option to restrictive delights. What do I say?encroaching! No; if an intercourse were set up between them, it would give the main genuine joy that can be grabbed in this place where there is shadows, this hard school of good order. (Mary Wollstonecraft, A Vindication of the Rights of Men, 1790)​ I ought to most likely have said at the start Im noted for having something of a comical inclination, in spite of the fact that I have remained quiet about myself particularly in the course of the most recent two years in any case, so to speak, and its just as similarly as of late that I started to realizewell, er, maybe acknowledge isn't the right word, er, envision, envision that I was by all account not the only thing in her life. (Michael Palin in scene two of Monty Pythons Flying Circus, 1969)